There are some products that, beyond their being commercial items, garner the status of cultural ambassadors for their origin and history. They are linked to a country’s traditions, they grow with it,
Luis Camnitzer (1937) is not only critical of and wily about his artistic work, but also of and about his writing, an aspect he’s developed along the past 40 years and that speaks volumes –something th
The Clouds in an Unchanging Sky exhibit in Madrid’s Casa de America takes a peek at the city of Bogota from two different views: Spanish photographer Ricky Davila and Colombian poet Dufay Bustamante. T
The book entitled The Havana House: Typology of Housing Architecture in the Historic Center by Dr. Madeline Menendez, takes up a publishing slack about the studies –long on hold– in the field of Cuban
Forty years after its construction, the housing project known worldwide as Habitat 67 keeps its freshness and avant-garde character, something that can be said of only handful of structures built aroun
The multidisciplinary exhibition Cuba. Art and History from 1868 to Date presented at the Pavillon Jean-Noël Desmarais at the Musée des beaux-arts in Montreal, Canada, from Jan. 31 through June 8, 2008
The reflection of artists on their artworks’ circulation spaces is simultaneous to the emergence of the first museums. The opening to the public back in the 17th and 18th centuries of the first private
Goya and the Voices of Dawn, by writer Reyes Caceres Molinero, assumes an original contribution to a topic that art mavens, researchers and historians have time and again gone over in one of Goya’s pai
From a multitude of approaches, art critics, curators, artists and other experts have homed in on what they call public art, though there’s no such thing as a stamped theoretical definition resulting f
Those who know about the history of Cuban art have probably found out that, in keeping with the historic rigor, this heading must be construed as a blunder because the group of Cuban painters and sculp