Twenty years have gone by since Julio Le Parc had been in Havana last; his relationship was quite aloof, yet unforgotten. Many trips from the 1960 to the late 80 had turned him into a reference –and a
The vast possibilities opened up by the Internet from its start to date in terms of connectivity, simultaneity of actions and massive consumption of different topics and knowledge, have also entailed a
Ernesto Leal’s work and thinking always bring back up in me the passion of mulling over art as the ideal space to “invent” our lives from an unbiased and diversified perspective, especially now when th
For a better understanding of Alejandra Alarcon’s work, the 34-year-old talented artist, it must be said that she was born in Cochabamba, a city of Bolivia where family is a strong and highly-valued in
Where a Comprehensive Model Evolves
The Esthetics x Genetics exhibition (23 y 12 Art Center, 2007) by Matanzas-born artist Nadalito showcased a coherent process of interrelations among different aspec
Was born in Santiago do Boqueirão, State of Rio Grande do Sul, in 1950. In 1970 he moved to Porto Alegre where he worked as an industrial technical drawer. He joined the School of Architecture and by 1
With issue number five, Art by Excelencias is marching on to its second year of publishing life. New territories and artists from Argentina, Bolivia, Canada and Colombia are joining this time around fr
Critics are like dogs barking at the wheels of a bicycle.
Marcel Duchamp
A “lateral genealogy” about the prejudices, preventions and grudges of “the concept artists” could be built, focusing on the p
There are some products that, beyond their being commercial items, garner the status of cultural ambassadors for their origin and history. They are linked to a country’s traditions, they grow with it,
Luis Camnitzer (1937) is not only critical of and wily about his artistic work, but also of and about his writing, an aspect he’s developed along the past 40 years and that speaks volumes –something th