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Artículos

Four-handed

One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968) and Eulises Niebla (Matanzas, 1963). The piece intends

SCREAMS AND WHISPERS

Over thirty books have been written about Alfredo Jaar (Chile, 1956). Outstanding thinkers from around the globe have churned out brilliant texts on the most recognized Chilean artist worldwide. Some o

Octavio Paz and art review

A shortfall of research studies on the continental arts is the theoretical context poet Octavio Paz’s critical contribution hinges on. During the First Iberian American Meeting of Art Critics and Fine

RODRIGO MOYA: THE INSURRECTIONAL IMAGE

Rodrigo Moya is Mexican and was born in 1934. After 75 years of an intense lifetime in which he’s tried his hand at several trades and has nourished on countless experiences, the art and the trade that

Vernacular architecture in Caracas

Today’s Caracas boasts only a handful of colonial ambiences. The impetuousness of modernity rules the urban image, determined by the number and verticality of buildings, huge avenues and thoroughfares

AN ORIGINAL GLANCE AT GOYA

Goya and the Voices of Dawn, by writer Reyes Caceres Molinero, assumes an original contribution to a topic that art mavens, researchers and historians have time and again gone over in one of Goya’s pai

Latin American public art over the last two decades.

From a multitude of approaches, art critics, curators, artists and other experts have homed in on what they call public art, though there’s no such thing as a stamped theoretical definition resulting f

Eleven in Argentina

Those who know about the history of Cuban art have probably found out that, in keeping with the historic rigor, this heading must be construed as a blunder because the group of Cuban painters and sculp

OMAR ALBERTO FIGUEROA TURCIOS

Born in Corozal, Sucre, Colombia, in 1968. He was a collaborating writer with all major Colombian newspapers and magazines, such as El Tiempo, El Espectador, Revista Cromos, Semana, and others. His car

First Chile Triennial. Scouting the boundaries

Chile’s First Visual Arts Triennial has displayed neither artworks nor artists who can put on a good show. However, a whole country got hyped as a scenario thanks to a job well done by renowned curator