Earlier today I skimmed through my archives and I drew out not one but four files at the same time. In the beginning, I’d thought about referring to the ties that once existed between two Caribbean art
Sometimes I’ve said on television that in the face of the music video’s drive into ethno-esthetic profiles and the social-cultural expressions of certain individuals and groups, we should take on the n
Red is the color that corresponds to the lowest light frequency seen by the human eye. The red light’s wavelength is about 700 nm. The lowest frequencies, that is, the longest wavelengths, are called i
In the work of Chilean artist Edwin Rojas, we clearly see what magical realism meant to Hispanic America: a zone where the artist sloughs off the imposition of the logical-rationalist thinking and give
For Matilde Perez (Chile, 1920), you get there in art only if you know how to “get” there in life. Ninety years of life and active career speak volumes of the veracity and conviction of her statement.
Antonio Martorell is a regular Havana visitor, a city where he admits to have found new confidences and drives for his life and artistic career. Up to now, no working commitment, and no immigration reg
It’s becoming increasingly necessary to make an analysis of the research studies channeled by the Havana Biennial in an effort to move beyond the curatorial field that apparently zeroes in on the work
As I read on Visible and Invisible, I imagine the exceptional hand of Pedro de Oraa –the hand of a painter and author, making sure this appraisal doesn’t lean solely to one side– assisted by profound t
When Argentinean critic Victoria Verlichak suggested me to present an exhibit of Paraguayan contemporary art in Buenos Aires, we both knew we had to fight not only against ignorance, but also against g
I ignore whether curating a book –organize it, be responsible for all its images and vignettes, for all texts both critical and informative– may hamper someone from writing a review about it. I wonder