The 2024 edition of Art Basel in Basel will feature 286 of the world’s leading galleries, showcasing the highest quality of works across all media, including painting, sculpture, photography, and digital artworks. 22 first-time participants will join a robust lineup of European exhibitors and returning galleries from around the globe.
Since the year 2001, the Urban Culture Foundation (FCU) in Venezuela has been implementing an inter-generic multiple editorial program that includes the FCU’s main collection, the Cuadernos series spec
Borges who, as everyone knows, did not pride himself of being condescending, wrote a great praise about Alfonso Reyes; a few verses that could be either the preface or the conclusion of the book recent
Critics are like dogs barking at the wheels of a bicycle.
Marcel Duchamp
A “lateral genealogy” about the prejudices, preventions and grudges of “the concept artists” could be built, focusing on the pa
The reflection of artists on their artworks’ circulation spaces is simultaneous to the emergence of the first museums. The opening to the public back in the 17th and 18th centuries of the first private
Luis Camnitzer (1937) is not only critical of and wily about his artistic work, but also of and about his writing, an aspect he’s developed along the past 40 years and that speaks volumes –something th
Walls have always existed and apparently continue to exist: some have fallen definitively while others remain, and there are those that insist on raising new ones. In ancient times, they served to prot
The book entitled The Havana House: Typology of Housing Architecture in the Historic Center by Dr. Madeline Menendez, takes up a publishing slack about the studies –long on hold– in the field of Cuban
A large crowd of art lovers, the intelligentsia and news media from Madrid attended the February 18 grand opening of The One and the Many, Cuban Avant-garde and Contemporary Art.
The multidisciplinary exhibition Cuba. Art and History from 1868 to Date presented at the Pavillon Jean-Noël Desmarais at the Musée des beaux-arts in Montreal, Canada, from Jan. 31 through June 8, 2008
Ernesto Leal’s work and thinking always bring back up in me the passion of mulling over art as the ideal space to “invent” our lives from an unbiased and diversified perspective, especially now when th
When they suggested me to present A Curator’s Eye,1 a book by art critic and essayist Corina Matamoros, I was enthused so much about the possibility of doing that because of the admiration and loving t
Today we’re pulling out three files. They belong to artists who are considered to be both Spanish and Cuban in the same breath. It’s not a riddle, but just the trappings of this complex planet so full
