How can art reviews be made in the Americas? That’s a heck of a question. How can art reviews be focused on a young art where, as we read in this section of the magazine’s first issue, definition, iden
“Those who are creative work through the past, the present and the future, going beyond time; those who are not, accept the ties of the old and the new”.
Abanindranath Tagore
The latest presentations
Michael Dweck is a sensualist, a documentarian, a good story teller, and a great admirer of feminine beauty. He is also something of an islander in spirit, raised as he was on Long Island, New York. In
With the presence of Miguel Barnet, president
of Cuba’s League of Writers and Artists (UNEAC); deputy president Jose Villa Soberon; Lesbia Vent Dumois, president of the Fine Arts Association; Maria Car
Maurizio Cattelan’s playful heresies are pigeonholed in the controversy between essence and appearance that rules different contemporary disguising strategies. Among the body, the object and the action
One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968) and Eulises Niebla (Matanzas, 1963). The piece intends
Over thirty books have been written about Alfredo Jaar (Chile, 1956). Outstanding thinkers from around the globe have churned out brilliant texts on the most recognized Chilean artist worldwide. Some o
A shortfall of research studies on the continental arts is the theoretical context poet Octavio Paz’s critical contribution hinges on. During the First Iberian American Meeting of Art Critics and Fine
Rodrigo Moya is Mexican and was born in 1934. After 75 years of an intense lifetime in which he’s tried his hand at several trades and has nourished on countless experiences, the art and the trade that
Today’s Caracas boasts only a handful of colonial
ambiences. The impetuousness of modernity rules the urban image, determined by the number and verticality of buildings, huge avenues and thoroughfares