SCOPE Art Show is the premier showcase and incubator for contemporary art, convening the most dynamic emerging galleries and artists from around the world for more than two decades.
The first thing that strikes the attention is the way it is marketed, dangling from strings that display dozens or hundreds of pamphlets. That’s where the name stems from: literature on string. Heiress
Since early 2010, Art by Excelencias has worked hard to beef up its stance worldwide and strengthen its distribution channels with foundations, art galleries, museums, academic centers and institu
“Exhibitions are stages of different insights and imply a true construction of senses”. With this statement, Maria Jose Herrera1 began the presentation of an important compilation (Exhibitions of Argen
The tragedy of a physical death will cause commotion; an allegoric death will make people shake far beyond the beauty it portrays
Since the year 2001, the Urban Culture Foundation (FCU) in Venezuela has been implementing an inter-generic multiple editorial program that includes the FCU’s main collection, the Cuadernos series spec
Borges who, as everyone knows, did not pride himself of being condescending, wrote a great praise about Alfonso Reyes; a few verses that could be either the preface or the conclusion of the book recent
Amazement came first. Is Severo Sarduy a painter? The novelist who wrote Cobra and Where We Come From, the poet of Big Band and Mood Indigo, the collaborating writer of larger-than-life magazine Tel Qu
The author is an almost hermetical person, but with a deep internal eloquence. He was basically trained in Europe, mainly in the socialist Czechoslovakia, and was born at the hospitable and swaying cit
The presentation of issues 4 and 5 of the Art by Excelencias magazine served as the perfect occasion to observe the day of the press and celebrate the first year of this printed publication and its dig
Ernesto Leal’s work and thinking always bring back up in me the passion of mulling over art as the ideal space to “invent” our lives from an unbiased and diversified perspective, especially now when th
When they suggested me to present A Curator’s Eye,1 a book by art critic and essayist Corina Matamoros, I was enthused so much about the possibility of doing that because of the admiration and loving t
Today we’re pulling out three files. They belong to artists who are considered to be both Spanish and Cuban in the same breath. It’s not a riddle, but just the trappings of this complex planet so full
