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Noticias

Sorolla in U.S.A.

Mapfre Foundation’s Culture Institute has presented 'Sorolla y America' project Madrid, a great show that will kick off in December and is focused on the successful American adventure liv

Barcelona’s Museu d’Art Contemporani (MACBA), La Caixa Foundation Present ARTE, DOS PUNTOS

Since July 18, Barcelona’s Museu d’Art Contemporani (MACBA) and “la Caixa” Foundation have been showcasing, for the first time in the city, a story written with today’s ar
Bruce Nauman, Art Make-up, 1967-1968

Contemporary Art, Social Images of the Body

The Andalusian Center of Contemporary Art (CAAC), based in the Monastery of San Maria de las Cuevas, has been exhibiting (May 17 – December 1) Arte de comportamiento e imagenes sociales del cuerp

Estampa de Nuestro Tiempo, at Manuel Felguerez Museum of Abstract Art

Nowadays, the possibilities of sequence, reiteration, appropriation, registration and materiality offered by stamps are specifically useful to tackle matters related to the politics, society, body or i

Ruta Mística at Monterrey’s Museum of Contemporary Art

Monterrey’s Museum of Contemporary Art has been showcasing, since July 12, Ruta mistica (Mystic Route), a reassessment of the mysticism notion within the present Latin American context through th

Last Week of Lotty Rosenfeld. Por una poetica de la rebeldia at CAAC

The Andalusian Center of Contemporary Art has been exhibiting (March 8 – July 21) the Chilean artist’s show Lotty Rosenfeld. Por una poetica de la rebeldia (For a poetics of rebelliousness)

Lois Lambert Gallery presents “Origins,” Miguel Milló’s first exhibition in the United States.

Milló creates temporary installations, transforming the human body as it is masked with clay, and embellished with organic materials.  The characters’ temporary existence is documente

“Esto no es Uruguay”: An Approach to the Reality of Paraguay

Havana’s Wifredo Lam Contemporary Art Center is going to inaugurated exhibition ¨Esto no es Uruguay (This is not Uruguay¨, by artists Erika Mezza and Javier Lopez (Erika and Javier), on F

Hay mas rutas que la nuestra. Tamayo’s Collections after Modernity

Back in 2000, art historian Olivier Debroise carried out the exhibition Tamayo en el torbellino de la modernidad, while he established a critical perspective on the subjacent intentions related to the

Three Chilean Artists Called by Curator Jose Roca in “Historias del objeto”

The natural object, the domestic object and the politic one are tackled –respectively– by Patricia Dominguez, Isidora Correa and Claudio Correa in “Historias del objeto (Stories of th