The latest presentations staged by Tomas Sanchez –who has expressed himself through painting, drawing, ceramic art, puppet design, set design, fabrics, graphics and gems– reveal the multiplicity of a c
With the presence of Miguel Ba
Chile’s First Visual Arts Triennial has displayed neither artworks nor artists who can put on a good show. However, a whole country got hyped as a scenario thanks to a job well done by renowned curator
One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968) and Eulises Niebla (Matanzas, 1963). The piece intends
How can art reviews be made in the Americas? That’s a heck of a question. How can art reviews be focused on a young art where, as we read in this section of the magazine’s first issue, definition, iden
In Memoria Ritual (Ritual Me-m
In my third time around for The Archivist section, I want on the one hand to piece together some sort of a trilogy of a number of artists who are likened to the advance of the fine arts in the Caribbea
Sebastian Alonso / Martin Crac
The Traces: The Private Eye exhibition is an initiative thought out by artists who set up a company for the registration and transfer of the personal stamps of their works
Frames, as much as borders, bug Cildo Meireles. That’s why he doesn’t make movies despite the interest he once had in it 40 years ago. The point is films usually end with a similar format and is not a
It’s becoming increasingly common to see brick-and-mortar art promotional places getting their virtual correlate on the world wide web or the Internet. There are times when the giant network
In his cult text “The Sufficiently Good Artist: Beyond the Avant-Garde Artist,” Donald Kuspit hurt for forever more the pride-swollen megalomania found in that kind of artist. Kuspit stripped the histr
The Orí. El Òrìsà personal exhibition is just another excuse to take back on Santiago Rodriguez Olazabal’s artwork, one of the esthetic proposals that be
Artistic practices are “ways of doing” that take part in the general distribution of the ways of doing and in its relationships with the ways of doing and the forms of visibility.
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