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SCOPE Art Show.

SCOPE Art Show. Tickets now live

SCOPE Art Show is the premier showcase and incubator for contemporary art, convening the most dynamic emerging galleries and artists from around the world for more than two decades.

Tomás Sánchez. Going beyond time

The latest presentations staged by Tomas Sanchez –who has expressed himself through painting, drawing, ceramic art, puppet design, set design, fabrics, graphics and gems– reveal the multiplicity of a c

Art by Excelencias at UNEAC

With the presence of Miguel Ba

First Chile Triennial. Scouting the boundaries

Chile’s First Visual Arts Triennial has displayed neither artworks nor artists who can put on a good show. However, a whole country got hyped as a scenario thanks to a job well done by renowned curator

Four-handed

One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968) and Eulises Niebla (Matanzas, 1963). The piece intends

Killing the Discursive Father?

How can art reviews be made in the Americas? That’s a heck of a question. How can art reviews be focused on a young art where, as we read in this section of the magazine’s first issue, definition, iden

Alfaro: Ritual Memory

In Memoria Ritual (Ritual Me-m

A Galician in The Caribbean

In my third time around for The Archivist section, I want on the one hand to piece together some sort of a trilogy of a number of artists who are likened to the advance of the fine arts in the Caribbea

Land. An exhibition on Uruguayan posters

Sebastian Alonso / Martin Crac

Local traces

 

The Traces: The Private Eye exhibition is an initiative thought out by artists who set up a company for the registration and transfer of the personal stamps of their works

Cildo Meireles. Against hegemonic ideas in art

Frames, as much as borders, bug Cildo Meireles. That’s why he doesn’t make movies despite the interest he once had in it 40 years ago. The point is films usually end with a similar format and is not a

Conect-art

It’s becoming increasingly common to see brick-and-mortar art promotional places getting their virtual correlate on the world wide web or the Internet. There are times when the giant network

Does the Abuse Stop Here?

In his cult text “The Sufficiently Good Artist: Beyond the Avant-Garde Artist,” Donald Kuspit hurt for forever more the pride-swollen megalomania found in that kind of artist. Kuspit stripped the histr

Agbón Ilé

The Orí. El Òrìsà personal exhibition is just another excuse to take back on Santiago Rodriguez Olazabal’s artwork, one of the esthetic proposals that be

The edge and the boundary: Libia Posada’s work

Artistic practices are “ways of doing” that take part in the general distribution of the ways of doing and in its relationships with the ways of doing and the forms of visibility. <