SCOPE Art Show is the premier showcase and incubator for contemporary art, convening the most dynamic emerging galleries and artists from around the world for more than two decades.
From 22 March–28 June 2015, Museo Jumex will present Calder: Discipline of the Dance, a major survey of works by Alexander Calder (1898–1976), the American artist who redefined
Blanca Berlín presents "Mares de Portugal" exhibition by Luis Vioque at the number 2 space parallel to "El paisaje revisitado". This exhibition is composed of a selection
From March 28 to May 31, 2015, the Fundación Botín Gallery in Santander to host the Itinerarios XXI exhibition, an annual event celebrating its 21 anniversary and that is like
Graphic humorists from 23 countries will take part in the 19th International Biennial of Graphic Humor in Cuba from April 5 to 8, announced Reneiro Tamayo, president of the jury of this a
“Un Universo Pequeño” is the first exhibiiton of Antonio M. Xoubanova, Madrid 1977 at the Ángeles Baños Gallery. In this project, the artist represents and hold
Marina Curci presents “Botanica” with the curatorship of Olga Correa on March 27 at the RO Art Gallery.
The MoMA of New York pays tribute to the modern architecture in Latin America including that of Cuba with an exhaustive exhibition focused in the second half of the 20 century and the imprint of the
Editorial showcase of Latin America and the world, the International Book Fair of Bogota (Filbo), will reverence legendarhy Colombian writer Gabriel Garcia Marquez and his fictitious town of Macondo
Metaphorically, Joan Miró claimed to be painted "treading the earth, so that their force between the feet." In order that the visitor experience the telluric force that inspired Mir
Casas Riegner Gallery has been attending the Fair since the second edition while Instituto de Visión Gallery participates for the first time.
Artist Santiago Hermes Martínez from Cienfuegos, represented Cuba at the Third International Festival of Performance “Acciones al margen” which took pla
Guerrero’s paintings and intervened objects are imprinted with his characteristic signature, making them recognizable at first sight. When we contemplate his work we immediately identify ourse
