SCOPE Art Show is the premier showcase and incubator for contemporary art, convening the most dynamic emerging galleries and artists from around the world for more than two decades.
Rodrigo Moya is Mexican and was born in 1934. After 75 years of an intense lifetime in which he’s tried his hand at several trades and has nourished on countless experiences, the art and the trade that
Goya and the Voices of Dawn, by writer Reyes Caceres Molinero, assumes an original contribution to a topic that art mavens, researchers and historians have time and again gone over in one of Goya’s pai
Those who know about the history of Cuban art have probably found out that, in keeping with the historic rigor, this heading must be construed as a blunder because the group of Cuban painters and sculp
The latest presentations staged by Tomas Sanchez –who has expressed himself through painting, drawing, ceramic art, puppet design, set design, fabrics, graphics and gems– reveal the multiplicity of a c
Chile’s First Visual Arts Triennial has displayed neither artworks nor artists who can put on a good show. However, a whole country got hyped as a scenario thanks to a job well done by renowned curator
One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968) and Eulises Niebla (Matanzas, 1963). The piece intends
How can art reviews be made in the Americas? That’s a heck of a question. How can art reviews be focused on a young art where, as we read in this section of the magazine’s first issue, definition, iden
In my third time around for The Archivist section, I want on the one hand to piece together some sort of a trilogy of a number of artists who are likened to the advance of the fine arts in the Caribbea
The Traces: The Private Eye exhibition is an initiative thought out by artists who set up a company for the registration and transfer of the personal stamps of their works
