In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles.
The Orí. El Òrìsà personal exhibition is just another excuse to take back on Santiago Rodriguez Olazabal’s artwork, one of the esthetic proposals that better brings together the rituals, the…
Artistic practices are “ways of doing” that take part in the general distribution of the ways of doing and in its relationships with the ways of doing and the forms of visibility.
Jacques Ranciere
The relative similarity in key aspects, like weather and geography, coupled with the wise and talented interpretation of these conditions by the local and foreign architects who designed works in different Caribbean nations, prompted architectural…
Central America has entered a new era and reached a point of no return
Q & A with Head Curator. José Manuel Noceda.
The tenth edition of the Cuenca International
Biennial –slated from Oct. 22 to Dec. 4 this year– will this time around have an expert from another country as the event’s head curator.
Art by Excelencias puts its sight on the fine arts to address, in an updated fashion, the ongoing developments and their influence in the Americas and the Caribbean, such as the Central American Isthmus Biennial, the La Joven Estampa Engraving Prize…
Earlier today I skimmed through my archives and I drew out not one but four files at the same time.
Red is the color that corresponds to the lowest light frequency seen by the human eye. The red light’s wavelength is about 700 nm. The lowest frequencies, that is, the longest wavelengths, are called infrared.
Red is a complementary color of cyan.
We’re giving our readers the second issue of our Art by Excelencias magazine. Based on the first issue’s magnificent acclaim among artists, critics and researchers in the realm of the fine arts, the Excelencias Group has made the decision to add…
It’s understood that Rene Francisco interprets in many ways, as if his doing allowed him to cover with just one stroke several meanings of such an expansive verb.
For Matilde Perez (Chile, 1920), you get there in art only if you know how to “get” there in life. Ninety years of life and active career speak volumes of the veracity and conviction of her statement.
What does Doris Salcedo evoke when she orders to choose the floor of the Hall of Turbines with a 547-foot-long crack?
It’s becoming increasingly necessary to make an analysis of the research studies channeled by the Havana Biennial in an effort to move beyond the curatorial field that apparently zeroes in on the work of art.
Sometimes I’ve said on television that in the face of the music video’s drive into ethno-esthetic profiles and the social-cultural expressions of certain individuals and groups, we should take on the notion of the anthropological video.
