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SCOPE Art Show.

SCOPE Art Show. Tickets now live

SCOPE Art Show is the premier showcase and incubator for contemporary art, convening the most dynamic emerging galleries and artists from around the world for more than two decades.

RODRIGO MOYA: THE INSURRECTIONAL IMAGE

Rodrigo Moya is Mexican and was born in 1934. After 75 years of an intense lifetime in which he’s tried his hand at several trades and has nourished on countless experiences, the art and the trade that

AN ORIGINAL GLANCE AT GOYA

Goya and the Voices of Dawn, by writer Reyes Caceres Molinero, assumes an original contribution to a topic that art mavens, researchers and historians have time and again gone over in one of Goya’s pai

Eleven in Argentina

Those who know about the history of Cuban art have probably found out that, in keeping with the historic rigor, this heading must be construed as a blunder because the group of Cuban painters and sculp

Art on the Web...

For those who like critical

Tomás Sánchez. Going beyond time

The latest presentations staged by Tomas Sanchez –who has expressed himself through painting, drawing, ceramic art, puppet design, set design, fabrics, graphics and gems– reveal the multiplicity of a c

ANOTHER (NEW) SHORTCUT TO POGOLOTTI

Cuba’s visual arts are going t

SOULFUL COLOR AND LIGHT

Though an individual exhibit n

Alfaro: Ritual Memory

In Memoria Ritual (Ritual Me-m

A Galician in The Caribbean

In my third time around for The Archivist section, I want on the one hand to piece together some sort of a trilogy of a number of artists who are likened to the advance of the fine arts in the Caribbea

Land. An exhibition on Uruguayan posters

Sebastian Alonso / Martin Crac

Local traces

 

The Traces: The Private Eye exhibition is an initiative thought out by artists who set up a company for the registration and transfer of the personal stamps of their works

Cildo Meireles. Against hegemonic ideas in art

Frames, as much as borders, bug Cildo Meireles. That’s why he doesn’t make movies despite the interest he once had in it 40 years ago. The point is films usually end with a similar format and is not a

Conect-art

It’s becoming increasingly common to see brick-and-mortar art promotional places getting their virtual correlate on the world wide web or the Internet. There are times when the giant network

Does the Abuse Stop Here?

In his cult text “The Sufficiently Good Artist: Beyond the Avant-Garde Artist,” Donald Kuspit hurt for forever more the pride-swollen megalomania found in that kind of artist. Kuspit stripped the histr