SCOPE Art Show is the premier showcase and incubator for contemporary art, convening the most dynamic emerging galleries and artists from around the world for more than two decades.
The reflection of artists on their artworks’ circulation spaces is simultaneous to the emergence of the first museums. The opening to the public back in the 17th and 18th centuries of the first private
Luis Camnitzer (1937) is not only critical of and wily about his artistic work, but also of and about his writing, an aspect he’s developed along the past 40 years and that speaks volumes –something th
Walls have always existed and apparently continue to exist: some have fallen definitively while others remain, and there are those that insist on raising new ones. In ancient times, they served to prot
The book entitled The Havana House: Typology of Housing Architecture in the Historic Center by Dr. Madeline Menendez, takes up a publishing slack about the studies –long on hold– in the field of Cuban
A large crowd of art lovers, the intelligentsia and news media from Madrid attended the February 18 grand opening of The One and the Many, Cuban Avant-garde and Contemporary Art.
The multidisciplinary exhibition Cuba. Art and History from 1868 to Date presented at the Pavillon Jean-Noël Desmarais at the Musée des beaux-arts in Montreal, Canada, from Jan. 31 through June 8, 2008
Ernesto Leal’s work and thinking always bring back up in me the passion of mulling over art as the ideal space to “invent” our lives from an unbiased and diversified perspective, especially now when th
How can art reviews be made in the Americas? That’s a heck of a question. How can art reviews be focused on a young art where, as we read in this section of the magazine’s first issue, definition, iden
A shortfall of research studies on the continental arts is the theoretical context poet Octavio Paz’s critical contribution hinges on. During the First Iberian American Meeting of Art Critics and Fine
Michael Dweck is a sensualist, a documentarian, a good story teller, and a great admirer of feminine beauty. He is also something of an islander in spirit, raised as he was on Long Island, New York. In
Today’s Caracas boasts only a handful of colonial
ambiences. The impetuousness of modernity rules the urban image, determined by the number and verticality of buildings, huge avenues and thoroughfares
The fourth issue of Art by Excelencias brought to our readers today speaks volumes of how our publication –in a short span of time– has been enhancing its ties with experts, institutions, artists and c
Maurizio Cattelan’s playful heresies are pigeonholed in the controversy between essence and appearance that rules different contemporary disguising strategies. Among the body, the object and the action
From a multitude of approaches, art critics, curators, artists and other experts have homed in on what they call public art, though there’s no such thing as a stamped theoretical definition resulting f
