Rodrigo Moya is Mexican and was born in 1934. After 75 years of an intense lifetime in which he’s tried his hand at several trades and has nourished on countless experiences, the art and the trade that
Today’s Caracas boasts only a handful of colonial
ambiences. The impetuousness of modernity rules the urban image, determined by the number and verticality of buildings, huge avenues and thoroughfares
Goya and the Voices of Dawn, by writer Reyes Caceres Molinero, assumes an original contribution to a topic that art mavens, researchers and historians have time and again gone over in one of Goya’s pai
From a multitude of approaches, art critics, curators, artists and other experts have homed in on what they call public art, though there’s no such thing as a stamped theoretical definition resulting f
In Memoria Ritual (Ritual Me-mory), Cuban fine artist Angel Alfaro Echevarria sets out a historic and imaginary voyage in an effort to offer an artistic vision of the Yoruba world. In its narrative lay
The Ninth Video & Media Art Biennial, Chile 2009, is far more than a collection of a hundred pieces –situated halfway between art and technology, with an Internet accent and a touch of interactivit
Frames, as much as borders, bug Cildo Meireles. That’s why he doesn’t make movies despite the interest he once had in it 40 years ago. The point is films usually end with a similar format and is not a
In my third time around for The Archivist section, I want on the one hand to piece together some sort of a trilogy of a number of artists who are likened to the advance of the fine arts in the Caribbea
In his cult text “The Sufficiently Good Artist: Beyond the Avant-Garde Artist,” Donald Kuspit hurt for forever more the pride-swollen megalomania found in that kind of artist. Kuspit stripped the histr
Sebastian Alonso / Martin Craciun (Alonso+craciun). Afiches: Santiago Velazco y Javier Cirioni.
Montevideo is recognized as a
city where posters, billboards and paintings in public places are key pla