With the presence of Miguel Barnet, president
of Cuba’s League of Writers and Artists (UNEAC); deputy president Jose Villa Soberon; Lesbia Vent Dumois, president of the Fine Arts Association; Maria Car
Maurizio Cattelan’s playful heresies are pigeonholed in the controversy between essence and appearance that rules different contemporary disguising strategies. Among the body, the object and the action
One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968) and Eulises Niebla (Matanzas, 1963). The piece intends
Over thirty books have been written about Alfredo Jaar (Chile, 1956). Outstanding thinkers from around the globe have churned out brilliant texts on the most recognized Chilean artist worldwide. Some o
A shortfall of research studies on the continental arts is the theoretical context poet Octavio Paz’s critical contribution hinges on. During the First Iberian American Meeting of Art Critics and Fine
Rodrigo Moya is Mexican and was born in 1934. After 75 years of an intense lifetime in which he’s tried his hand at several trades and has nourished on countless experiences, the art and the trade that
Today’s Caracas boasts only a handful of colonial
ambiences. The impetuousness of modernity rules the urban image, determined by the number and verticality of buildings, huge avenues and thoroughfares
Goya and the Voices of Dawn, by writer Reyes Caceres Molinero, assumes an original contribution to a topic that art mavens, researchers and historians have time and again gone over in one of Goya’s pai
From a multitude of approaches, art critics, curators, artists and other experts have homed in on what they call public art, though there’s no such thing as a stamped theoretical definition resulting f
Those who know about the history of Cuban art have probably found out that, in keeping with the historic rigor, this heading must be construed as a blunder because the group of Cuban painters and sculp