Artículos

In the work of Chilean artist Edwin Rojas, we clearly see what magical realism meant to Hispanic America: a zone where the artist sloughs off the imposition of the logical-rationalist thinking and give

For Matilde Perez (Chile, 1920), you get there in art only if you know how to “get” there in life. Ninety years of life and active career speak volumes of the veracity and conviction of her statement.

Antonio Martorell is a regular Havana visitor, a city where he admits to have found new confidences and drives for his life and artistic career. Up to now, no working commitment, and no immigration reg

It’s becoming increasingly necessary to make an analysis of the research studies channeled by the Havana Biennial in an effort to move beyond the curatorial field that apparently zeroes in on the work

Venturing into the brain-racking task of mapping out and defining the connections in the diversity of identities and cultures lodged in the Latin American and Caribbean region might seem to be a somewh

Will Duchamp’s lesson never end? It always sneaks in through an unexpected place –a window, for example– when nobody expects it, just another twist on that virtually endless inspiration for art over th

We’re giving our readers the second issue of our Art by Excelencias magazine. Based on the first issue’s magnificent acclaim among artists, critics and researchers in the realm of the fine arts, the Ex

I ignore whether curating a book –organize it, be responsible for all its images and vignettes, for all texts both critical and informative– may hamper someone from writing a review about it. I wonder

In your view, what were the main achievements of ARCOmadrid 08 and what influence did they exert in the conception of the 2009 edition? The main achievement of last year’s edition was its strengthening

El Observatorio de Línea (Ediciones Union, 2008) is an anti-academic book. I guess it’s the most bohemian book I’ve ever read and that enthralls me. I can’t help it. Elvia Rosa Castro gives herself all