PalaisPopulaire in Berlin presents Make a Travel Deep of Your Inside, and Don’t Forget Me to Take, the first institutional solo exhibition by Chinese-Singaporean artist Charmaine Poh (b. 1990), Deutsche Bank’s “Artist of the Year” 2025.
Artistic practices are “ways of doing” that take part in the general distribution of the ways of doing and in its relationships with the ways of doing and the forms of visibility.
Jacques Ranciere
The relative similarity in key aspects, like weather and geography, coupled with the wise and talented interpretation of these conditions by the local and foreign architects who designed works in different Caribbean nations, prompted architectural…
Central America has entered a new era and reached a point of no return
Q & A with Head Curator. José Manuel Noceda.
The tenth edition of the Cuenca International
Biennial –slated from Oct. 22 to Dec. 4 this year– will this time around have an expert from another country as the event’s head curator.
Watching the youngsters still seeing Casa de las Americas as a space of recognition and promotion for their fledgling careers is a satisfaction for those who started out that project and cultural center some fifty years ago. The fact of the matter…
The Ninth Video & Media Art Biennial, Chile 2009, is far more than a collection of a hundred pieces –situated halfway between art and technology, with an Internet accent and a touch of interactivity and Latin America– displayed between August and
Cuba’s visual arts are going through an interesting moment as far as publishing matters are concerned.
Though an individual exhibit not always puts the artist’s work in the limelight of enthusiast and plentiful publicity –due to the artworks’ conception– and he or she doesn’t even get the kind of media hype he or she expected, the overall insertion of
In Memoria Ritual (Ritual Me-mory), Cuban fine artist Angel Alfaro Echevarria sets out a historic and imaginary voyage in an effort to offer an artistic vision of the Yoruba world.
Art by Excelencias puts its sight on the fine arts to address, in an updated fashion, the ongoing developments and their influence in the Americas and the Caribbean, such as the Central American Isthmus Biennial, the La Joven Estampa Engraving Prize…
It’s becoming increasingly necessary to make an analysis of the research studies channeled by the Havana Biennial in an effort to move beyond the curatorial field that apparently zeroes in on the work of art.
Sometimes I’ve said on television that in the face of the music video’s drive into ethno-esthetic profiles and the social-cultural expressions of certain individuals and groups, we should take on the notion of the anthropological video.
Will Duchamp’s lesson never end? It always sneaks in through an unexpected place –a window, for example– when nobody expects it, just another twist on that virtually endless inspiration for art over the last hundred years.
Scenes within scenes. A theater entertained by the deliriousness of the boxes inside the frame
