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Art Madrid

Art Madrid '26: 21 years of contemporary art

In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles.

Craving Marianela (and Maria Regla)

When the gender theories are unknown, when no reading has been made, the joke seems to be the perfect way out. Feminism is more about lesbians with pent-up feelings, the interpretation of queer has to do with unresolved Oedipus characters, or the…

Art and Literature on the String

The first thing that strikes the attention is the way it is marketed, dangling from strings that display dozens or hundreds of pamphlets. That’s where the name stems from: literature on string. Heiress of the most remote oral tradition and both the…

Editorial 6

Since early 2010, Art by Excelencias has worked hard to beef up its stance worldwide and strengthen its distribution channels with foundations, art galleries, museums, academic centers and institutions dealing with the contemporary arts. With…

Writings of Argentinean Art: Between Researchers and Curators

“Exhibitions are stages of different insights and imply a true construction of senses”. With this statement, Maria Jose Herrera1 began the presentation of an important compilation (Exhibitions of Argentinean Art 1956-2006. The convergence of…

Teresa Margolles: Death is Beautiful

The tragedy of a physical death will cause commotion; an allegoric death will make people shake far beyond the beauty it portrays

Survival of photography

Since the year 2001, the Urban Culture Foundation (FCU) in Venezuela has been implementing an inter-generic multiple editorial program that includes the FCU’s main collection, the Cuadernos series special editions. Its endeavor counts on the…

The Eyes of Alfonso Reyes

Borges who, as everyone knows, did not pride himself of being condescending, wrote a great praise about Alfonso Reyes; a few verses that could be either the preface or the conclusion of the book recently published by Mexican Hector Perea,* an eager…

A Fleeting and Disguised Witness?

Amazement came first. Is Severo Sarduy a painter? The novelist who wrote Cobra and Where We Come From, the poet of Big Band and Mood Indigo, the collaborating writer of larger-than-life magazine Tel Quel, the thinker who coined the term neo-baroque…

José Villa. An Adventure of Transfiguration

The author is an almost hermetical person, but with a deep internal eloquence. He was basically trained in Europe, mainly in the socialist Czechoslovakia, and was born at the hospitable and swaying city of Santiago de Cuba. José Villa Soberón has…

LET’S COME CLOSER TO A (SO-CALLED) HAVANA HOUSE

The book entitled The Havana House: Typology of Housing Architecture in the Historic Center by Dr. Madeline Menendez, takes up a publishing slack about the studies –long on hold– in the field of Cuban architecture and, more specifically, the houses…

The one and the many… Cuban art in Excelencias Gallery

A large crowd of art lovers, the intelligentsia and news media from Madrid attended the February 18 grand opening of The One and the Many, Cuban Avant-garde and Contemporary Art.

ART PREVAILS

The multidisciplinary exhibition Cuba. Art and History from 1868 to Date presented at the Pavillon Jean-Noël Desmarais at the Musée des beaux-arts in Montreal, Canada, from Jan. 31 through June 8, 2008, generated a magnificent name-like publication…

Ernesto Leal: The utopia diagnosis

Ernesto Leal’s work and thinking always bring back up in me the passion of mulling over art as the ideal space to “invent” our lives from an unbiased and diversified perspective, especially now when this term is increasingly catching on as a…

A CURATOR’S QS AND AS

When they suggested me to present A Curator’s Eye,1 a book by art critic and essayist Corina Matamoros, I was enthused so much about the possibility of doing that because of the admiration and loving tenderness I feel for the author. Once read, I…