PalaisPopulaire in Berlin presents Make a Travel Deep of Your Inside, and Don’t Forget Me to Take, the first institutional solo exhibition by Chinese-Singaporean artist Charmaine Poh (b. 1990), Deutsche Bank’s “Artist of the Year” 2025.
From a multitude of approaches, art critics, curators, artists and other experts have homed in on what they call public art, though there’s no such thing as a stamped theoretical definition resulting from the addition of features that qualify the…
Over thirty books have been written about Alfredo Jaar (Chile, 1956). Outstanding thinkers from around the globe have churned out brilliant texts on the most recognized Chilean artist worldwide. Some of those boldface names include Georges Didi-…
Born in Corozal, Sucre, Colombia, in 1968. He was a collaborating writer with all major Colombian newspapers and magazines, such as El Tiempo, El Espectador, Revista Cromos, Semana, and others.
Rodrigo Moya is Mexican and was born in 1934. After 75 years of an intense lifetime in which he’s tried his hand at several trades and has nourished on countless experiences, the art and the trade that have taken roots in him are photography and…
Goya and the Voices of Dawn, by writer Reyes Caceres Molinero, assumes an original contribution to a topic that art mavens, researchers and historians have time and again gone over in one of Goya’s paintings: the celebrated “The Prince Pius Mountain…
Those who know about the history of Cuban art have probably found out that, in keeping with the historic rigor, this heading must be construed as a blunder because the group of Cuban painters and sculptors linked to abstraction and running by that…
For those who like critical and appreciative analysis of art, the coming of new publications is always a reason for joy.
Central America has entered a new era and reached a point of no return
Q & A with Head Curator. José Manuel Noceda.
The tenth edition of the Cuenca International
Biennial –slated from Oct. 22 to Dec. 4 this year– will this time around have an expert from another country as the event’s head curator.
Watching the youngsters still seeing Casa de las Americas as a space of recognition and promotion for their fledgling careers is a satisfaction for those who started out that project and cultural center some fifty years ago. The fact of the matter…
The Ninth Video & Media Art Biennial, Chile 2009, is far more than a collection of a hundred pieces –situated halfway between art and technology, with an Internet accent and a touch of interactivity and Latin America– displayed between August and
Cuba’s visual arts are going through an interesting moment as far as publishing matters are concerned.
Though an individual exhibit not always puts the artist’s work in the limelight of enthusiast and plentiful publicity –due to the artworks’ conception– and he or she doesn’t even get the kind of media hype he or she expected, the overall insertion of
In Memoria Ritual (Ritual Me-mory), Cuban fine artist Angel Alfaro Echevarria sets out a historic and imaginary voyage in an effort to offer an artistic vision of the Yoruba world.
