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The Havana Biennial. 25 Years of Integration and Resistance

It’s becoming increasingly necessary to make an analysis of the research studies channeled by the Havana Biennial in an effort to move beyond the curatorial field that apparently zeroes in on the work

History and Perspective of Design in Latin America and the Caribbean. Two Visions of a Myth

Venturing into the brain-racking task of mapping out and defining the connections in the diversity of identities and cultures lodged in the Latin American and Caribbean region might seem to be a somewh

Yoan Capote. Reasons of the Senses

Will Duchamp’s lesson never end? It always sneaks in through an unexpected place –a window, for example– when nobody expects it, just another twist on that virtually endless inspiration for art over th

Editorial 2 English

We’re giving our readers the second issue of our Art by Excelencias magazine. Based on the first issue’s magnificent acclaim among artists, critics and researchers in the realm of the fine arts, the Ex

One out of Eleven

An artist’s monographic book is not always breaking news. They do abound and usually pack a few wallops… The amazingly luring volume on Hugo Consuegra’s pictorial work is indeed an act of justice for L

claudio Antonio Gomez

Claudio Antonio Gomes was born in Belo Horizontes, Brazil, in 1972 and has lived in Salvador de Bahia over the past thirteen years. With a degree in Education at the Guidnard School, he’s been an illus

A Passion for Humor

One of those indispensable books is no doubt A History of Graphic Humor in Cuba, launched in 2007 as part of the History of Graphic Humor collection directed by the General Foundation of the Alcala de

The Alternative Biennial

Without ferreting out the factors that make these peculiar occurrences happen, I may say from the word go that there’s a clear-cut overspill of artistic contents, their forms, their expositional struct

Traveling with Camejo

A city vision, in which the light draws the full scope of the night, is the image that serves as backdrop for this book entitled “Luis Enrique Camejo Vento.” The nature of this proposal and the concept


In the exhibition field of the 1990s, the Caribbean was painting a non-homogeneous, yet commonly exploratory picture that was revealing itself worldwide as emerging anti-hegemony art. But at the same t