“Those who are creative work through the past, the present and the future, going beyond time; those who are not, accept the ties of the old and the new”.
Abanindranath Tagore
The latest presentations
Michael Dweck is a sensualist, a documentarian, a good story teller, and a great admirer of feminine beauty. He is also something of an islander in spirit, raised as he was on Long Island, New York. In
With the presence of Miguel Barnet, president
of Cuba’s League of Writers and Artists (UNEAC); deputy president Jose Villa Soberon; Lesbia Vent Dumois, president of the Fine Arts Association; Maria Car
Maurizio Cattelan’s playful heresies are pigeonholed in the controversy between essence and appearance that rules different contemporary disguising strategies. Among the body, the object and the action
One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968) and Eulises Niebla (Matanzas, 1963). The piece intends
Watching the youngsters still seeing Casa de las Americas as a space of recognition and promotion for their fledgling careers is a satisfaction for those who started out that project and cultural cente
The Orí. El Òrìsà personal exhibition is just another excuse to take back on Santiago Rodriguez Olazabal’s artwork, one of the esthetic proposals that better brings together the rituals, the ceremonial
Cuba’s visual arts are going through an interesting moment as far as publishing matters are concerned. Today’s underpinnings of our art are being little by little rescued and studied, presented and pro
The Caribbean is today one of the most dynamic, vibrant and colorful regions of the Americas, a sought-after travel destination not for a good rest, but also for learning about its rich cultural divers
Though an individual exhibit not always puts the artist’s work in the limelight of enthusiast and plentiful publicity –due to the artworks’ conception– and he or she doesn’t even get the kind of media