When Argentinean critic Victoria Verlichak suggested me to present an exhibit of Paraguayan contemporary art in Buenos Aires, we both knew we had to fight not only against ignorance, but also against g
I ignore whether curating a book –organize it, be responsible for all its images and vignettes, for all texts both critical and informative– may hamper someone from writing a review about it. I wonder
In your view, what were the main achievements of ARCOmadrid 08 and what influence did they exert in the conception of the 2009 edition? The main achievement of last year’s edition was its strengthening
El Observatorio de Línea (Ediciones Union, 2008) is an anti-academic book. I guess it’s the most bohemian book I’ve ever read and that enthralls me. I can’t help it. Elvia Rosa Castro gives herself all
Cristobal Reinoso was born in 1946 in Santa Fe, Argentina. He started making cartoons for TV shows, but he soon went head-on into graphic humor. Since 1973, he publishes daily in Buenos Aires’s Clarin
Without ferreting out the factors that make these peculiar occurrences happen, I may say from the word go that there’s a clear-cut overspill of artistic contents, their forms, their expositional struct
A city vision, in which the light draws the full scope of the night, is the image that serves as backdrop for this book entitled “Luis Enrique Camejo Vento.” The nature of this proposal and the concept
In the exhibition field of the 1990s, the Caribbean was painting a non-homogeneous, yet commonly exploratory picture that was revealing itself worldwide as emerging anti-hegemony art. But at the same t
Let’s begin with a common, equally necessary place to lodge ourselves in the point we want to get to. Any compilation is, in its most natural essence, a say-it-to-yourself, an action which is not strip
The fact that America is a young people is borne out, first of all, by the very history of the United States. The arch of sense that would fundamentally span from the 2000 to the 2008 presidential elec