Our publishing group is giving its readers Art by Excelencias, a magazine envisaged to bear testimony to the creative processes within the framework of the fine arts and their main figures in the Ameri
As I read on Visible and Invisible, I imagine the exceptional hand of Pedro de Oraa –the hand of a painter and author, making sure this appraisal doesn’t lean solely to one side– assisted by profound t
When Argentinean critic Victoria Verlichak suggested me to present an exhibit of Paraguayan contemporary art in Buenos Aires, we both knew we had to fight not only against ignorance, but also against g
I ignore whether curating a book –organize it, be responsible for all its images and vignettes, for all texts both critical and informative– may hamper someone from writing a review about it. I wonder
In your view, what were the main achievements of ARCOmadrid 08 and what influence did they exert in the conception of the 2009 edition? The main achievement of last year’s edition was its strengthening
El Observatorio de Línea (Ediciones Union, 2008) is an anti-academic book. I guess it’s the most bohemian book I’ve ever read and that enthralls me. I can’t help it. Elvia Rosa Castro gives herself all
Cristobal Reinoso was born in 1946 in Santa Fe, Argentina. He started making cartoons for TV shows, but he soon went head-on into graphic humor. Since 1973, he publishes daily in Buenos Aires’s Clarin
Without ferreting out the factors that make these peculiar occurrences happen, I may say from the word go that there’s a clear-cut overspill of artistic contents, their forms, their expositional struct
A city vision, in which the light draws the full scope of the night, is the image that serves as backdrop for this book entitled “Luis Enrique Camejo Vento.” The nature of this proposal and the concept
In the exhibition field of the 1990s, the Caribbean was painting a non-homogeneous, yet commonly exploratory picture that was revealing itself worldwide as emerging anti-hegemony art. But at the same t