I understand the ongoing bombardment on the relevance of contemporary art as we knew it because right here the first question pops up: and how did we know it? How can we prefigure a minimal assortmen
Between march and april this year, chile hosted VÄLPARAÍSO INterVENCIONES, an exhibition of modern art displayed in public venues, patrimonial buildings and exhibition halls in the port, with 24 proj
Some time ago I read two interviews with brazilian artist Jose Damasceno. I thought he was an elderly man. I felt like I was “listening” to someone with a lot of experience in life. I was surprised t
Our access to reality is made almost always through a screen (cell phones, digital cameras, video games, DVD players, television, etc). Reconnaissance within this dynamic, in the case of marginal con
Based on a minimum registration of seven Mexican artists’ recent work, the factors fostering the different ways of perceiving, interpreting and reinterpreting art are explored here. Every gesture bri
While delving into the history of 19th century’s Cuban painting, one of the most significant dates of all is January 1981. The Volume 1 exhibition –organized and curated by a group of young artists–
In our architectural practice we strive for an elegant economy of means, both material and aesthetic. We thrive on the analytical rigor required to bring order to complex programmatic and technical pro
What do art fairs exhibit? The leftovers of works by historical avant-guard “sacred cows” that did not make it to museums, big companies and auction houses; the exponent “substitutes” of emerging trend