Luis Gomez Armenteros occupies one of the top positions in the Cuban Vanguard Art. He has a dimension that places him between the proposals made by Juan Francisco Elso (Havana, 1956- Mexico, 1988) an
It’s becoming increasingly common to perceive that human beings’ relations with reality –sometimes slippery within its own complex moves– is meddled by an intruder we have adopted as an extension of
The 104th Annual Meeting of American Museums (AAM), held from May 23 to 26 this year at the Los Angeles Convention Center in California, was the place of choice to take a closer look at those museums
On the afternoon of Nov. 16, 2010, the Servando Museum in the Cuban capital was the place of choice for the presentation of the Art by Excelencias magazine’s two latest issues (6 and 7).
Helio Flores Viveros was born on Oct. 8, 1938 in Xalapa, Veracruz, Mexico. He studied architecture at the Universidad Veracruzana. From 1966 to 1967 he lived in New York and studied at the School of Vi
Cuba’s cultural and promotional posters of today have both come of age and strengthened in a visible fashion, thanks to the leg up given by designers, experts, historians and institutions to this dis
It’s been over two decades, in 1988, since the grand opening of an exhibition at the National Museum of Fine Arts, an exhibit that hasn’t grabbed all the attention it deserved if we bear in m