In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles.
Watching the youngsters still seeing Casa de las Americas as a space of recognition and promotion for their fledgling careers is a satisfaction for those who started out that project and cultural center some fifty years ago. The fact of the matter…
The Ninth Video & Media Art Biennial, Chile 2009, is far more than a collection of a hundred pieces –situated halfway between art and technology, with an Internet accent and a touch of interactivity and Latin America– displayed between August and
Cuba’s visual arts are going through an interesting moment as far as publishing matters are concerned.
Though an individual exhibit not always puts the artist’s work in the limelight of enthusiast and plentiful publicity –due to the artworks’ conception– and he or she doesn’t even get the kind of media hype he or she expected, the overall insertion of
In Memoria Ritual (Ritual Me-mory), Cuban fine artist Angel Alfaro Echevarria sets out a historic and imaginary voyage in an effort to offer an artistic vision of the Yoruba world.
Art by Excelencias puts its sight on the fine arts to address, in an updated fashion, the ongoing developments and their influence in the Americas and the Caribbean, such as the Central American Isthmus Biennial, the La Joven Estampa Engraving Prize…
Sometimes I’ve said on television that in the face of the music video’s drive into ethno-esthetic profiles and the social-cultural expressions of certain individuals and groups, we should take on the notion of the anthropological video.
Will Duchamp’s lesson never end? It always sneaks in through an unexpected place –a window, for example– when nobody expects it, just another twist on that virtually endless inspiration for art over the last hundred years.
Scenes within scenes. A theater entertained by the deliriousness of the boxes inside the frame
Claudio Antonio Gomes was born in Belo Horizontes, Brazil, in 1972 and has lived in Salvador de Bahia over the past thirteen years.
Antonio Martorell is a regular Havana visitor, a city where he admits to have found new confidences and drives for his life and artistic career.
Venturing into the brain-racking task of mapping out and defining the connections in the diversity of identities and cultures lodged in the Latin American and Caribbean region might seem to be a somewhat worthless, yet necessary effort based on th
One of those indispensable books is no doubt A History of Graphic Humor in Cuba, launched in 2007 as part of the History of Graphic Humor collection directed by the General Foundation of the Alcala de Henares University.
