In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles.
Will Duchamp’s lesson never end? It always sneaks in through an unexpected place –a window, for example– when nobody expects it, just another twist on that virtually endless inspiration for art over the last hundred years.
Scenes within scenes. A theater entertained by the deliriousness of the boxes inside the frame
Claudio Antonio Gomes was born in Belo Horizontes, Brazil, in 1972 and has lived in Salvador de Bahia over the past thirteen years.
Antonio Martorell is a regular Havana visitor, a city where he admits to have found new confidences and drives for his life and artistic career.
Venturing into the brain-racking task of mapping out and defining the connections in the diversity of identities and cultures lodged in the Latin American and Caribbean region might seem to be a somewhat worthless, yet necessary effort based on th
One of those indispensable books is no doubt A History of Graphic Humor in Cuba, launched in 2007 as part of the History of Graphic Humor collection directed by the General Foundation of the Alcala de Henares University.
There’s no social layer, group or status racism is at odds with. You may fall victim of racism no matter how deep your pockets are, the place where you live or the position you hold down.
Thinking feels a kind of fruition very similar to that of loving when it touches the naked body of an idea. Ortega y Gasset
Our publishing group is giving its readers Art by Excelencias, a magazine envisaged to bear testimony to the creative processes within the framework of the fine arts and their main figures in the Americas and the Caribbean.
From the standpoint of…
Cristobal Reinoso was born in 1946 in Santa Fe, Argentina. He started making cartoons for TV shows, but he soon went head-on into graphic humor. Since 1973, he publishes daily in Buenos Aires’s Clarin newspaper.
As I read on Visible and Invisible, I imagine the exceptional hand of Pedro de Oraa –the hand of a painter and author, making sure this appraisal doesn’t lean solely to one side– assisted by profound thinking and abundant reflexive power.
I ignore whether curating a book –organize it, be responsible for all its images and vignettes, for all texts both critical and informative– may hamper someone from writing a review about it.
El Observatorio de Línea (Ediciones Union, 2008) is an anti-academic book. I guess it’s the most bohemian book I’ve ever read and that enthralls me. I can’t help it. Elvia Rosa Castro gives herself all the green lights in the world: plenty of…
