"Ceramics are not futile," said Gauguin. For Cristiano Raimondi, guest curator, ceramic is a heterogenous and unstable material at the origin of transversal stories.
We open the sunny autumn with (dis)orientation by and with Anderwald & Grond, Hoiss, Neunteufel, curated by Hubert Hasler. The text for the exhibition was written by Michaela Obermair.
Dis)orienta
looking around, gazing intently, beholding— Spencer Finch's sixth solo exhibition at Rhona Hoffman Gallery—borrows its title from a haiku by Matsuo Bashō (1644–1694), a celebrity poet of Japan's Edo P
Swiss artist Julian Charrière (b.1987) is as much an explorer and a traveler as a scientist and an archaeologist. His curiosity and his interest in understanding nature lead him to the most inhospitab
Kunsthaus Pasquart presents the largest exhibition to date dedicated to France-Lise McGurn (b.1983), a Scottish artist who paints on canvases as well as directly on walls, floors and the ceilings of ex
The exhibition brings together works by 18 contemporary artists and casts made from the collection of the Faculty of Fine Arts of Lisbon. It takes a close look at casting and the role it plays not only
Lee Krasner (b. 1908; d. 1984) was a pioneer of Abstract Expressionism, the movement that made New York a thriving center for modern art in the postwar period. Spanning a career of fifty years, Krasner
Collaborations and memory form the focus of Vicente Telles’ latest solo exhibition, Convergence: of Time and Place. “I began my painting career on a chair my grandfather made,” says the artist. “It was
GR Gallery is pleased to announce 'A Manner of Forgetting,' the first solo exhibition of James Evans with the gallery.
A total of 15 oil paintings will be shown, exploring many of the newf